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Mona’s teenage life defines the word ‘crap’, not tragic, just without hope; her brother is the only family she has left and he’s found God in the same obsessively sociopathic way that he originally found booze, while a weekly hump in the back of a van with a married man actually constitutes fun rather than repetitive sexual abuse. Into this world wanders Tamsin, pretty, pretentious, spoilt but ignored and with a dangerous sense of mischief born of arrogance and naivety. An intense relationship b find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...